Devil’s, Acquisitions, Bizarro Pulp Press, and the erotic imprint that was… (RIP New Kink)

Allow us to address this article’s headline in reverse order.

New Kink Books started out as a promising imprint, and for a solid year-plus the naughty line of titles performed as well as any sales we had through Rooster Republic or Strangehouse Books. There were even quarters when sales from New Kink exceeded the more traditional lines. But now it is largely unresponsive. We poked it with the best and biggest stick we could find. Call the time, doc! And grab a body bag…

New Kink Books is a dead imprint.

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Continue reading “Devil’s, Acquisitions, Bizarro Pulp Press, and the erotic imprint that was… (RIP New Kink)”

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2019 Already Feels Like An Enormous January

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We’ve got news on top of news and it has been a hot minute since we last posted, so forgive me if this all comes off as a bit like stream of consciousness. Anyway, here we go!

Continue reading “2019 Already Feels Like An Enormous January”

October update for Rooster Republic and Strangehouse Books, now with pumpkin spice!

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[For the really big announcement, scroll to the bottom. Otherwise, read on – Ed.]

We are closing in on the end of our production schedule for 2018. The last several weeks have seen some great new books go live: Andrew James Stone’s All Hail the House Gods; Christoph Paul’s At Least I Get You < In My Art; Matthew Sunrich’s Someone Shot the Hip Young Conductor; Charles Austin Muir’s Body Building Spider Rangers.

For October, we are currently prepping both Michael Allen Rose’s Rock and Roll Death Patrol and Sara Tantlinger’s The Devil’s Dreamland, respectively.

Beyond that, we have Gareth Bennett’s The Full Howie, and then…

…well, that’s it, for a good, long while. Let’s talk about that.

Continue reading “October update for Rooster Republic and Strangehouse Books, now with pumpkin spice!”