Not All Monsters: Final Interior Art Reveal?

This may be the final interior image for the upcoming anthology Not All Monsters, due out by 2020 from Strangehouse Books and edited by the Bram Stoker Award Winner, Sara Tantlinger.

To follow some of the core members of the project, you can find Sara Tantlinger on Twitter @SaraJane52 and Nicholas Day on Twitter @nickdayonline


Don Noble is an artist and writer for Rooster Republic Press. He is the author of Beer Run of the Dead and Scary Fucking Stories, an animator, and is still pretty new to twitter. You can him at-

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Not All Monsters: Art Reveal

A piece created late last night, an interior image for the upcoming NOT ALL MONSTERS anthology coming through our imprint Strangehouse Books in 2020. This piece, titled Iron Angel, is part of a series that will be found in a special edition of the anthology, and will also be available as prints and posters and various other designs. For more info and important folks to follow on the subject, you’d do well to find Sara Tantlinger on Twitter @SaraJane52 and Nicholas Day on Twitter @nickdayonline


Don Noble is an artist and writer for Rooster Republic Press. He is the author of Beer Run of the Dead and Scary Fucking Stories, an animator, and is still pretty new to twitter. You can him at-

Post-Stoker Roundup and a look at the TOC for Not All Monsters!

Well, the last couple years have seen a fair amount of ups and downs, but something mighty impressive will have to happen to surpass the thrill of seeing Sara Tantlinger win a Stoker Award for her book of poetry, The Devil’s Dreamland. You can read Sara’s own re-cap HERE at her website.

Just… holy smokes. There were tears and hugs and adult beverages. So many beverages.

DD Stoker

The award, if you’ve never seen one in person, is heavy enough to double as a weapon, should the need arise. And it has a little functioning door that opens to a very pretty and very polished plaque that names the award, the name of the work awarded, and the author. Very fun. Appropriately macabre, given the subject matter.

Continue reading “Post-Stoker Roundup and a look at the TOC for Not All Monsters!”

Devil’s, Acquisitions, Bizarro Pulp Press, and the erotic imprint that was… (RIP New Kink)

Allow us to address this article’s headline in reverse order.

New Kink Books started out as a promising imprint, and for a solid year-plus the naughty line of titles performed as well as any sales we had through Rooster Republic or Strangehouse Books. There were even quarters when sales from New Kink exceeded the more traditional lines. But now it is largely unresponsive. We poked it with the best and biggest stick we could find. Call the time, doc! And grab a body bag…

New Kink Books is a dead imprint.

New Kink Banner

Continue reading “Devil’s, Acquisitions, Bizarro Pulp Press, and the erotic imprint that was… (RIP New Kink)”

Rooster Republic looks at the already bloated corpse of 2019 and pokes it with a stick

I won’t bury the lede, folks:

ROOSTER ISN’T RELEASING A NEW TITLE IN 2019.

And… we are just fine with that!

This is by design. We already have titles lined up for 2020, including Sara Tantlinger’s all-women horror anthology, Not All Monsters, and Andrew James Stone’s new book, The Ultimate Dinosaur Dance Off. We’ve fielded queries from authors interested in placing titles as far out as 2021. And, going forward (I’ve mentioned this previously), Rooster Republic, et al, will release no more than four books in a calendar year. This will give us plenty of time to devote to each individual title, as well as keep us from losing our collective minds.

Continue reading “Rooster Republic looks at the already bloated corpse of 2019 and pokes it with a stick”

Not All Monsters… UPDATE

cropped-new-tentacle

As you may have heard, Strangehouse Books is working on quite the anthology for 2020.

Right now, we are looking at an October 2020 release for Not All Monsters. We wanted to make sure we set out the date far ahead, so as to give us enough time to really prepare, thoroughly edit, and give ourselves a wide window with which to execute the production. The book will probably end up at 90-100K words. We wanted to be sure to have lots of space for lots of voices. And let me tell you, it is a good thing we’ve approached this anthology the way we have.

Submissions have been open less than two weeks and we’ve gotten so, so many stories. The response to our call has been overwhelming, to say the least, and we couldn’t be happier about it. Reading through will take considerable time, but authors should expect to hear from us starting in February.

Submissions will remain open until we’re completely satisfied with our selections and the 90-100K word count has been met.

We look forward to reading your work!

TTFN